In this chapter, Meursault returns to Algiers after attending his mother's funeral. The journey back marks a clear transition from the somber event to the mundanity of his everyday life. Upon arrival, he quickly falls back into his usual routines, which consist of a repetitive cycle of work, leisure, and minimal emotional engagement with the world around him.

Meursault's emotional detachment is highlighted by his indifference to the recent death of his mother. He reflects on his lack of grief, illustrating how he separates himself from societal expectations of mourning. This detachment becomes a central theme in his interactions moving forward.

Shortly after settling back into his daily life, Meursault reconnects with Marie Cardona, a woman from his past. Their relationship develops rapidly; they enjoy a carefree intimacy that contrasts sharply with Meursault's otherwise apathetic nature. Marie’s affection for Meursault is genuine, and she embodies warmth and vitality, which he seems to lack. Despite her emotional investment, Meursault remains largely indifferent to her feelings, showcasing his inability to engage deeply with others.

Their time together includes moments of simple pleasure, such as swimming and enjoying the sun, yet Meursault's views on love and relationships remain superficial. His interactions with Marie are marked by physical attraction rather than emotional connection. He accepts her advances without much thought, illustrating how he drifts through life, responding to events rather than actively engaging with them.

As the chapter progresses, the reader gains insight into Meursault's character—his lack of ambition and his resistance to conform to societal norms become apparent. He embodies a philosophy of existentialism, where life's absurdities are accepted rather than questioned. This acceptance of life's randomness leads him to embrace moments as they come, without deeper reflection or commitment.

Ultimately, Chapter 2 reinforces the themes of existentialism and absurdism that permeate the novel. Meursault's return to Algiers serves as a backdrop for his ongoing exploration of identity and existence, marked by an emotional void that will continue to shape the narrative. The stark contrast between Marie's vibrant character and Meursault's detached demeanor sets the stage for the complexities of their relationship and the philosophical inquiries that lie ahead.